• The bed and its declinations

    Par Ozan Bakir, David Perret, Simon Sierro, Mathieu Stutz, Jonas Reymondin, 26/10/15


    - THE BED AND ITS DECLINATIONS -

     

    How is it possible to create an intimate space in a passage and in a place of mouvement ? That's the question that lead our project. The verticality gave us and answer, and permitted us to create a private space on the top of the passage without obscuring it. Different heights create different programs, permitting and making different use of the bed and arranging the space around in different ways. 

    The linear and the circular movement split the space quality, making a difference between the intimate space and the public area, printed with the mark of the movement. 


    Bed, table and canopy, the horizontality change his nature with his height. 


    Image Mon Nov 09 2015 02:39:08 GMT+0100 (Europe de l’Ouest)  Image Mon Nov 09 2015 02:39:08 GMT+0100 (Europe de l’Ouest)

    lines of passage in Avenue Georgette                                    table position



    Image Wed Nov 11 2015 14:02:29 GMT+0100 (Europe de l’Ouest)

    bed position



    Image Mon Nov 09 2015 02:39:08 GMT+0100 (Europe de l’Ouest) Image Mon Nov 09 2015 02:39:08 GMT+0100 (Europe de l’Ouest) Image Mon Nov 09 2015 02:39:08 GMT+0100 (Europe de l’Ouest)

    slide system                                         ladder to climb on the bed                     staging of the bed



    Image Mon Nov 09 2015 02:39:08 GMT+0100 (Europe de l’Ouest)  Image Wed Nov 11 2015 14:02:29 GMT+0100 (Europe de l’Ouest)

    nesting of the different sections of the bed                            foot adapting to the slope of Avenue Georgette



    Image Wed Nov 11 2015 13:30:36 GMT+0100 (Europe de l’Ouest)  Image Wed Nov 11 2015 14:02:29 GMT+0100 (Europe de l’Ouest)

    slide system                                                                        the element inside Lausanne, here in the bed position




    Image Wed Nov 11 2015 15:24:22 GMT+0100 (Europe de l’Ouest)

    draw of the different uses of the element as table, canopy or bed



    Image Wed Nov 11 2015 15:24:22 GMT+0100 (Europe de l’Ouest)

    study of the body movement and contact points with the bed



    Image Wed Nov 11 2015 15:24:22 GMT+0100 (Europe de l’Ouest)  Image Wed Nov 11 2015 15:24:22 GMT+0100 (Europe de l’Ouest)

    assemby of the bed

  • / Double Element

    Par Ozan Bakir, Alison Blank, Raphael Boscarato, Heloise Corpataux, Jonathan Fraschini, Marianne Ghorayeb, Erblin Jasiqi, Delphine Klumpp, Sebastien Leveille, Judith Mizutani, Cedric Nim, David Perret, Stephanie Pitteloud, Virginie Schwab, Simon Sierro, Mathieu Stutz, Simon Wust, Jonas Reymondin, Antonin Mack, 26/10/15

    / Passage


    Au sein du studio, nous avons choisi la notion de passage comme liant. Comment l'élément de chacun des groupes (table, fenêtre, porte, lit) peut-il prolonger un passage, le transformer, le compléter,...

    Comment le positionnement de nos éléments affecte-t-il le rythme du passage?



  • Les Eléments

    Par Ozan Bakir, 25/10/15

    Table


    table & définition détail de la table




    Lit


    lit & définition détail du lit




    Porte


    porte & définition détail de la porte




    Fenêtre



    fenêtre & définition Image Mon Oct 26 2015 11:07:39 GMT+0100 (CET)




    Infrastructure

    Sur ce plan de chez moi, nous voyons, grâce à l'absence des murs, comment et à quel point ces élément sont liés entre eux. En partant des emplacements de ces derniers on peut recréer les murs intérieurs et extérieurs, étant donné qu'ils ont aussi une relation avec ces éléments.  

    Dans la partie de gauche, nous pouvons observer la relation, représentée en durée, qui existe entre ces éléments et moi. 


    infrastructure



















  • Limits and flows

    Par Mathieu Stutz, Ozan Bakir, 19/10/15

    A lot of people walk every day in the streets of Lausanne and Paris and so in Avenue Georgette and Boulevard Sébastopol.

    This creates a flow in both streets but with a different rhythm. The hybrid street composed of those in Paris and Lausanne shows the directions of these flows and the limits they can not cross over. But what are these limits?

    First, what is this flow?

    The flow is the path of the people on the sidewalk and the cars on the road defined by vectors.

    To define these vectors, we need to analyse the limits of the flow.

    The first limits are the two buildings in each corner of our little part of the street.

    In Paris, the vector of the walk of the people on the sidewalk follow an arc and the same for the cars.


    plan de paris

    plan de paris


    In Lausanne, the vector of the flow goes straight near the facade. But there are disturbances. The people can only walk in the public spaces, so they can not climb to the first floor. Here is another limit.


    moule de lausanne

    moule de lausanne


    They can break this straight flow and enter in the building, where there is a butchery. The flow stops here. They can also walk to the bus stop and stop here too. These are others limits.


    plan de lausanne

    plan de lausanne


    Here is the tool we created to take measures of the facade of Lausanne for the elements too high to be measured from the ground:


    outil de mesure

    outil de mesure


    The grouping of some possible flows give something like this:


    flux à lausanne, 1:33

    flux à lausanne


    This is the space in which the flow goes:



    lausanne, 1:66

    lausanne



    lausanne depuis paris, 1:66

    vue de lausanne depuis paris



    perspective de lausanne avec point de vue à paris, 1:66

    perspective de lausanne avec point de vue à paris



    Here is what the people see from the butchery:


    paris depuis lausanne, 1:66

    vue de paris depuis lausanne



    perspective de lausanne avec point de vue à lausanne

    perspective de paris avec point de vue à lausanne



    There is one last limit. The flows go along the street and do not cross the street in order to make Paris and Lausanne communicate.

    Let’s now generalize these possible flows in both streets and regroup them into vectors considering theirs limits:


    hybride, 1:66

    hybride



    hybride, 1:66

    hybride


    Finally, we clearly see the vectors of the flow on the hybrid and also the limits the flow can not cross as the two cities can not be connected by this flow.

  • Maquette de scenario

    Par Ozan Bakir, Alison Blank, Raphael Boscarato, Heloise Corpataux, Jonathan Fraschini, Marianne Ghorayeb, Erblin Jasiqi, Delphine Klumpp, Sebastien Leveille, Antonin Mack, Judith Mizutani, Cedric Nim, David Perret, Stephanie Pitteloud, Virginie Schwab, Simon Sierro, Mathieu Stutz, Jonas Reymondin, Simon Wust, 19/10/15





    Image Mon Oct 19 2015 19:12:29 GMT+0200 (CEST)




    Image Mon Oct 19 2015 19:12:29 GMT+0200 (CEST)