PLANES

Par Maud Abbé-Decarroux, 14/12/15


Image Mon Dec 14 2015 09:35:02 GMT+0100 (CET)Image Mon Dec 14 2015 09:35:02 GMT+0100 (CET)

Image Mon Dec 14 2015 09:35:02 GMT+0100 (CET)Image Mon Dec 14 2015 09:35:02 GMT+0100 (CET)Image Mon Dec 14 2015 09:35:02 GMT+0100 (CET)Image Mon Dec 14 2015 09:35:02 GMT+0100 (CET)Image Mon Dec 14 2015 09:51:18 GMT+0100 (CET)


Image Mon Dec 14 2015 10:06:06 GMT+0100 (CET)Image Mon Dec 14 2015 10:06:06 GMT+0100 (CET)



Image Mon Dec 14 2015 10:06:06 GMT+0100 (CET)Image Mon Dec 14 2015 10:06:06 GMT+0100 (CET)Image Mon Dec 14 2015 10:06:06 GMT+0100 (CET)Image Mon Dec 14 2015 10:06:06 GMT+0100 (CET)Image Mon Dec 14 2015 09:35:02 GMT+0100 (CET)Image Mon Dec 14 2015 10:06:06 GMT+0100 (CET)



Chronophotographie, which was the starting point of our double element, offered me the opportunity to decomposed the journey between Lausanne and Paris. This movement could « be framed », decomposed into a multitude of moments. 

The representation of this framing system was inspired by the kinetic art, such as Julio Le Parc’s work and was inserted in the +column in a way that give the feeling that the column opens itself to allow us to link the two cities.                                                                                The transition space is created by a passage which evolves around the framing system to connect virtually Paris and Lausanne. Its progression, made of different rythmes, goes up from a flat surface to another and enables to follow an itinerary where the points of view are multiple.