Chronophotographie, which was the starting point of our double element, offered me the opportunity to decomposed the journey between Lausanne and Paris. This movement could « be framed », decomposed into a multitude of moments.
The representation of this framing system was inspired by the kinetic art, such as Julio Le Parc’s work and was inserted in the +column in a way that give the feeling that the column opens itself to allow us to link the two cities. The transition space is created by a passage which evolves around the framing system to connect virtually Paris and Lausanne. Its progression, made of different rythmes, goes up from a flat surface to another and enables to follow an itinerary where the points of view are multiple.