• Rooms, final post

    Par Anastasia Skorik, Maria Sienko, 19/03/17

    ROOMS,Final post


    Image Sun Mar 19 2017 10:55:56 GMT+0100 (CET)

    We developed the holding structure(the treillis) in order to improve the montage on the site. The whole structure can slide in a compact shape, when the verticals are removed.

     

    Image Sun Mar 19 2017 10:55:56 GMT+0100 (CET) Image Sun Mar 19 2017 10:55:56 GMT+0100 (CET)

    Two positions:          Scène de vie quotidienne and  Stoa

    Image Sun Mar 19 2017 10:55:56 GMT+0100 (CET)



  • Rooms research

    Par Anastasia Skorik, Maria Sienko, 13/03/17

    ROOMS RESEARCH

    In relation with the shape of the train bridge above as well as the length of the protostructure itself, the passage came naturally as an evidence.

     Image Mon Mar 13 2017 10:45:22 GMT+0100 (CET)        Image Mon Mar 13 2017 10:45:22 GMT+0100 (CET)

    A mobile colonnade/filter emphasize the effect of prolongation when closed, also creating an open space "scène de vie quotidienne" when opened.     


    Image Mon Mar 13 2017 10:45:22 GMT+0100 (CET)

    The passage is elevated just in order to allow a person to assess it, while keeping a distance from the ground to keep the analogy with the elevation of the train bridge. 



  • light filter

    Par Maria Sienko, 17/12/16

    [ source of inspiration ]


    Inspired by dynamic projection of lights and shadows produced by the elements in the second phase, in the third one called plans I focused on qualities of certains structures, which can be consider as filters.



                             Image Sat Dec 17 2016 11:49:28 GMT+0100 (CET) Image Tue Dec 20 2016 02:09:56 GMT+0100 (CET)




                                              


    [ constructive solutions and process of assemblage ]


    The shape of wooden elements is not accidental. I was directly inspired by the element of the second phase of Inside Zurich, the section of the small frame that pivots. After many attempts to import that forme in proto structure and introduce a human scale, I finally chose the middle 9-orientation visible on the bottom right of the sketch below. 


                                                           




     Image Mon Dec 19 2016 21:24:15 GMT+0100 (CET)       Image Mon Dec 19 2016 21:24:15 GMT+0100 (CET)       Image Mon Dec 19 2016 21:24:15 GMT+0100 (CET)







                                                       Image Tue Dec 20 2016 02:23:53 GMT+0100 (CET)






        Image Mon Dec 19 2016 21:24:15 GMT+0100 (CET)           Image Tue Dec 20 2016 00:31:16 GMT+0100 (CET)






     Image Mon Dec 19 2016 21:24:15 GMT+0100 (CET)      Image Mon Dec 19 2016 21:24:15 GMT+0100 (CET)






    [ drawings ]




                                              Image Sat Dec 17 2016 11:49:28 GMT+0100 (CET)






                    Image Tue Dec 20 2016 08:53:50 GMT+0100 (CET)









    [ final model  |   structure ]




               Image Tue Dec 20 2016 01:43:48 GMT+0100 (CET)Image Tue Dec 20 2016 01:43:48 GMT+0100 (CET)






    [ final model  |  realization of the idea ]


    The photos below show the infinities surfaces, which filtre the light provoking interesting shadows. 



    Image Tue Dec 20 2016 01:43:48 GMT+0100 (CET)Image Tue Dec 20 2016 00:56:16 GMT+0100 (CET)





                    

    We observe the horizontal surfaces, as well as vertical ones. Thanks to the pattern of shadows they seem to be 'transforming' one into another. 


       Image Sat Dec 17 2016 12:31:56 GMT+0100 (CET)Image Sat Dec 17 2016 12:37:07 GMT+0100 (CET)        





                                   Image Tue Dec 20 2016 01:43:48 GMT+0100 (CET)





    Having simplified forme of the ceiling to minimum, I developed the concept of a surface of projection. To distinguish it from the filtering (working) surface, I had used different material, plaster, instead of wood.


       

     Image Mon Dec 19 2016 21:49:15 GMT+0100 (CET)Image Mon Dec 19 2016 21:49:15 GMT+0100 (CET)










  • Lights and shadows

    Par Christina Cibeira Lachmann, Lino Mercolli, Maria Sienko, Sadia Avdija, 18/11/16

      


                  Image Fri Dec 23 2016 22:38:36 GMT+0100 (CET)

                     GIF



  • Luminous frame

    Par Christina Cibeira Lachmann, Lino Mercolli, Maria Sienko, Sadia Avdija, 14/11/16

     Image Mon Nov 14 2016 02:33:29 GMT+0100 (CET) 

    Image Mon Nov 14 2016 02:33:29 GMT+0100 (CET)

    Image Mon Nov 14 2016 02:33:29 GMT+0100 (CET)


     Image Fri Dec 23 2016 11:17:17 GMT+0100 (CET)