• WEEK 3 - House II

    Par Medic Marina, Terrien Romane, Belaich Yonah, Hassan Moallin Madina, Jaton Doriand Andrzej, Karameta Lundrim, Lombardi Alexandre Tristan Bénédict, Michel Kyra Lea, Ogbonna Gabriel Ihechimnemerem, Ramseyer Roman, Tiezzi Alessandro, Zbinden Arnaud Loick, 27/04/17
    First maquette

    1:10




                                   Image Fri Apr 28 2017 16:52:05 GMT+0200 (CEST)



            Image Fri Apr 28 2017 16:52:05 GMT+0200 (CEST)    Image Fri Apr 28 2017 16:52:05 GMT+0200 (CEST) 
     
            Image Fri Apr 28 2017 16:52:05 GMT+0200 (CEST)    Image Fri Apr 28 2017 16:52:05 GMT+0200 (CEST)



                                           Image Fri Apr 28 2017 16:52:05 GMT+0200 (CEST)



    Prefabrication

    Pieces in the container / Categorisation 


          Image Fri Apr 28 2017 16:52:05 GMT+0200 (CEST)Image Fri Apr 28 2017 16:52:05 GMT+0200 (CEST)  


          Image Fri Apr 28 2017 16:52:05 GMT+0200 (CEST)  Image Fri Apr 28 2017 16:52:05 GMT+0200 (CEST)


  • WEEK 2 - House II

    Par Medic Marina, Belaich Yonah, Hassan Moallin Madina, Jaton Doriand Andrzej, Karameta Lundrim, Lombardi Alexandre Tristan Bénédict, Michel Kyra Lea, Ogbonna Gabriel Ihechimnemerem, Ramseyer Roman, Terrien Romane, Tiezzi Alessandro, Zbinden Arnaud Loick, 09/04/17
    Maquette 1:10
    DETAIL



              Image Mon Apr 10 2017 01:31:43 GMT+0200 (CEST)              Image Mon Apr 10 2017 01:31:43 GMT+0200 (CEST)



              Image Mon Apr 10 2017 08:21:26 GMT+0200 (CEST)      Image Mon Apr 10 2017 08:56:52 GMT+0200 (CEST)




    Maquette 1:5
    Detail



             Image Mon Apr 10 2017 01:31:43 GMT+0200 (CEST)                        Image Mon Apr 10 2017 08:21:26 GMT+0200 (CEST)


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    Planning of week 2


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    3D modelling



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    Drawings


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                                                                                                                                section (1:20)

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                        Image Mon Apr 10 2017 09:56:31 GMT+0200 (CEST)      Image Mon Apr 10 2017 09:59:25 GMT+0200 (CEST)





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    Transport
    details
    Image Mon Apr 10 2017 01:59:46 GMT+0200 (CEST)


    Structure DETAILS 1:1
    Final approach


    the flying floor

    We used straps to connect the timbers between them. The straps are useful for the transport (we just have to roll up and put them in the container) and for Zürich to put them on the structure. 


    Image Sun Apr 09 2017 21:30:37 GMT+0200 (CEST)   

    Image Sun Apr 09 2017 21:30:37 GMT+0200 (CEST)


    Image Sun Apr 09 2017 21:30:37 GMT+0200 (CEST)


    Image Sun Apr 09 2017 21:30:37 GMT+0200 (CEST)



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                                                                                                                                         wound timbers


    the node 

    constituted by 4 vertical and 3 horizontal wooden timbers (section 2X5)


                        


                        Image Sun Apr 09 2017 20:48:38 GMT+0200 (CEST)Image Sun Apr 09 2017 20:48:38 GMT+0200 (CEST)



    Structure DETAILS 1:1
    First approach


    the node

                        Image Mon Apr 10 2017 09:11:14 GMT+0200 (CEST)       Image Mon Apr 10 2017 09:11:14 GMT+0200 (CEST)                                                                                                                                                                                                        axonometry (1:2)


                                                     Image Sun Apr 09 2017 20:41:10 GMT+0200 (CEST)                                                                                                                                                         the floor (1:20)


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                                                                                the structure (1:1)                                                   the node (1:1)




                              Image Mon Apr 10 2017 10:44:47 GMT+0200 (CEST)



    Reference: Iris Andraschek, Hubert Lobnig - "Life between buildings - Lebensbaum und Kalaschnikow" (2005) Donau-Universität Krems



                                                  Image Mon Apr 10 2017 10:49:53 GMT+0200 (CEST)


    Reference: Claude Parent, Vivre à l'oblique. croquis (1965)



  • WEEK 1 - House II

    Par Belaich Yonah, Hassan Moallin Madina, Jaton Doriand Andrzej, Karameta Lundrim, Lombardi Alexandre Tristan Bénédict, Medic Marina, Michel Kyra Lea, Ogbonna Gabriel Ihechimnemerem, Ramseyer Roman, Terrien Romane, Tiezzi Alessandro, Zbinden Arnaud Loick, 02/04/17

    The nodes

    Three type of nodes for the structure of the main slope


                                                   1st node


    Image Sun Apr 02 2017 15:01:51 GMT+0200 (CEST) 


    This node is the one asking for the lowest quantity of

    wood (contrary of the two others) but the ramp is

    supported on the edge line (of the prominent wood) and not

    on the flat part of the bar sections. There's, there for, a gap

    between the two wooden timbers.




                                                    2nd node

    Image Sun Apr 02 2017 15:01:51 GMT+0200 (CEST)


    Because of the gap's problem, we added a second

    vertical placed in a staggered pattern to better support the bar

    used for the slope.




                                                                                       3rd node


                                                         Image Mon Apr 03 2017 10:04:47 GMT+0200 (CEST)


  • ROOMS - week 3 - final presentation

    Par Medic Marina, Michel Kyra Lea, 22/03/17

                                                       Final model (scale 1:10), after presentation        

                Image Wed Mar 22 2017 14:35:39 GMT+0100 (CET)


                Image Wed Mar 22 2017 12:35:31 GMT+0100 (CET)

                                                   Final model (scale 1:10), before presentation 

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                 Image Wed Mar 22 2017 11:43:08 GMT+0100 (CET)      Image Wed Mar 22 2017 11:09:10 GMT+0100 (CET)`

    Final model (scale 1:10), various wood sections and cellophane film

    views and details


    The final presentation of our project engaging with the thematic of reapropriation of built structures in an urban environment took place with a performative aspect.

    The discussion was punctuated by the intervention of various persons directly modifying the model by applying paint, tearing apart some of the film surfaces and creating new ones, finally changing completely the spatial conditions by using the structure we offered.



                 Image Wed Mar 22 2017 12:35:31 GMT+0100 (CET)      Image Wed Mar 22 2017 12:35:31 GMT+0100 (CET)


                                                                    Spatial propositions. Paper models, scale 1:100



                               Image Wed Mar 22 2017 14:52:50 GMT+0100 (CET)


                                        Resolving compression and flexion: by combining wood sections (2,7cm x 10cm) perpendicularly


    The structural system is given by wooden columns and beams, combined in I sections, that are being clipped onto the given protostructure.

    This system engages directly with the protostructure and creates new proportions for making the wrapping of film possible.


  • ROOMS - week 2 - material and structural research

    Par Medic Marina, Michel Kyra Lea, 13/03/17

                                                           Image Tue Mar 21 2017 18:30:57 GMT+0100 (CET)

    As mentioned in the post of week 1, the choice of using film comes directly from the practice of street artists. It allows us to create space where the user can have an immediate influence on our perception of space and where rezappropriation of urban public space is made possible and legal, although it can still be disruptive.

    The film is used by graffiti artists to practice their painting. Parisian street artists Kanos and Astro launched the concept in 2009, it has since then become common. (for further information and examples: www.cellograff.com)


    Image Wed Mar 22 2017 11:00:52 GMT+0100 (CET) Image Wed Mar 22 2017 11:00:52 GMT+0100 (CET) Image Wed Mar 22 2017 11:00:52 GMT+0100 (CET)   


                                                 
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                                                           transparency: layers in space with different cellophane bought in store                                          

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                           Image Wed Mar 22 2017 16:33:25 GMT+0100 (CET)

                                  Marina Medic, sitting on 5 layers of film (width: 30cm)                  5kg weight, single layer of film

                                 Image Tue Mar 21 2017 18:30:57 GMT+0100 (CET)      Image Tue Mar 21 2017 18:30:57 GMT+0100 (CET)                                                          

                                        5kg weight, single layer of film                                  5kg weight on 5 layers of film                                                                  

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                                                     Image Mon Mar 13 2017 09:26:39 GMT+0100 (CET)



    (a) exposing industrial type cellophane to a flame 

    (b) exposing domestic cellophane to a flame



    The material we chose to confront not only has physical characteristics we are unfamiliar with (elasticity, transparence, stickiness, resistance) but also poses structural questions.

    As we noticed with the first draft model, spanning the film around a structure puts its elements under strong stress: the structure is compressed, the woodsticks bow, joints break. We faced these questions by exploring the possibilities of reinforcement. This could be either done by creating frames, by reinforcing the given protostructure directly, or by adding elements that reinforce themselves and only just lean on the protostructure.



                   Image Wed Mar 22 2017 15:00:48 GMT+0100 (CET) 


                                Extract: structural research, proposals for resisting compression and flexion