According to the discussion about my last version of the project, i have a few things to change
- I had to find a way to fix the plaster passage with the protostructure. I decided to use a supporting wooden structure that creates a rhythm and repetition of details, that makes the passage more dynamic.
Pictures without plaster
Pictures with plaster
- After having discussed with the other students of our group approach, we decided i will be the central project, the one that links each project to another one, as a "passage". That is why I have to change the height of the passage at extremities to be as high as the other projects i am linked to.
- I wanted to make a wall that is transparent, to express the idea that we can get through it easily and so emphasizes the notion of movement.
- I had to work more on surrounding the protostructure with the passage, so that it will define the empty and useless room (on the painting: behind the columns, beside the stairs) in the middle of the protostructure.
-Finally, i changed the shape and the dimensions of the stairs. They are now 1 cm high and large in 1:20, that means 20 cm in 1:1, so that they are more confortable. they have a thickness of 6 mm, as the rest of the passage in plaster.
Overall pictures before the critics
During the critics, the comments of the experts made me realize that the wall was useless and blocked the energy that the passage was expressing about the movement. That is why i decided to remove the wall.
Overall pictures after the critics
It seems to me that removing the wall liberates the energy of the movement and that this energy seems to be from now completely free.
Section and details Section