This porject is about creating a space of transition, but also a space of graphic or artistic intervention.
It organizes the passage by creating a sensorial and visual experience.
The visitor, by walking through the installation, alters the visual composition of the spinning boards.
Also, the project gives the opportunity to the user to requestion the notion of passage.
The boards, by their rotation, can create really narrow spaces in which the density can be really high.
The user must then engage a negociation of space.
The notion of Inside/Outside is also very important in this project.
If we are outside of the construction, we have before our eyes a moving and changing exhibition, but if we're inside, we have ourselves a spacial experience.
However we can't experiences these two feelings at the same time.
The project is located in the ways that it can be seen from the more diverse point of view possible and available on the site.
Also, the graphic composition that are on the boards can be in relation with what takes place under the bridge, such as spray paint, or with what takes place in the ZHdK.
//1:20, 1:10 & 1:5 Construction Drawings
//1:10 Rotation and Space Study
//1:10 Scale Model
1:10 scale final wooden model
/ Week 3
1:10 Spinning board construction detail model
Spraypaint elaboration of an exploration of the idea of exquisite corpse on the 1:10 model
/ Week 2
1:10 Scale evolution of the construction model
/ Week 1
Room with 25 doors by treero Porte, 11,Rue Larrey by Marcel Duchamp
//Details1:100 scale model1:10 Scale construction model
Par sordet basile, 19/12/16
Exploration of density and textures using the f r a g m e n t a t i o n then bursting of a closed space, creating a possibility of having new spaces between each threshold, each one getting bigger and bigger.
The fragmentation is produced by the verticals of the proto-strucutre, and the bursting by the exponential spacing between those.The protostructure, besides its structural role, is literraly a "space cutting" machine.
The increasing depth generated by these actions (which we could easily imagine becoming infinite if we enlarged the protostructure even more), reinforced by the non-linear geometry and the texture of the plaster, creates a new fiel of exploration for the user to experience, showing him a space that once was easy to define, now seams open to imagination and endless.
Plaster model incerted into the proto-structure (1:20 scale)
The depth of the closed space is extended by the space generated by the facing project (1:20 scale)
The proto-structure fragments the volume as it fragments the field of view (1:20 scale)
Important density becoming lighter due to the exponential dilatation (1:20 scale)
Monge projection (longitudinal cut and plan) showing the fragmentation/dilatation (1:20 scale)
Monge projection (plan and longitudinal cut) showing a form research based on the proto-structure
dialoguing with a less recent approach of the project (1:66 scale)
axonometric projection of the protostructure's conception
Visual interpretation of an exponantial fragmentation on a human body
Par sordet basile, 28/11/16
affining the sequence to get to a more fragile and subtile approach which also plays with the dimensions of the proto-structure.
the focus was set on a sequence of doors that when looked at, through a certain angle (the painter's one as it happens in the painting), gives you a view of the depth of a hallway that disapears when the angle is changed.
The idea was to repeat this set of doors so that the hallway could be extended an infinite amount of time.
Also, the plaster was at first builded in one block, and then separated into three blocks, which brings a view of how the sequence is created (by cutting) which also gives a specific look and texture to the plaster. Moreover, it shows us how the space beetween the three new blocks, when changed, interacts differently with the dept of the hallway, the view and the feeling of an human being that would be in this space.
plaster, outside view
plaster, inside view
plaster, outside view, free interpretation and contextualisationconstruction monge projection
Références: Peinture de Pieter de Hooch
Pour ce projet,
nous avons commencé par dessiner le plan de la chambre ou se situent les personnages de la peintures. (Réalisation du premier plâtre)
Ensuite, nous avons pris la décision de dimensionner la profondeur, autant du couloir, du lit et de l'arrière de la pièce du premier plan (dessin). Puis nous l'avons construit.
Pour finir, l'exploration de l'espace nous a paru évidente. Nous avons donc dessiné et créé des pièces convergentes et adjacentes à notre image, en imaginant des espaces cachés. Ces différentes pièces sont élaborées par divers étages tous en gardant la totalité de l'espace sous forme de cône de vision depuis le point de vue de Pieter.