Par abbas oria, Arno Wust, barbey samuel, bosshard cedric, boxebeld carlotta, carriere celine, farrell marie-ange, fleury yan, pagano antonio, Quentin Paillat, silva gabriel, sordet basile, tarditi davide, 01/04/17
/ maquette 1:10
/ maquette 1:5
/ maquette process 1:10
/ sols et garde-corps
/ étude du temps de montage
/ implantation dans le site
/ installation sonore
// construction du mock-up 1:1
En recyclant le moteur d'un haut-parleur, nous avons créé un dispositif qui,
lorsqu'il est en contact avec une surface, transmet des vibrations à celle-ci.
Les vibrations de la surface produisent du son.
// proposition 1
Utilisation de la proto-structure comme instrument dont les vibrations émises par le contact du corps sont transformées en son par des micros intégrés au parois.
// proposition 2
Récepteurs sonores dans la proto-structure qui retranscrivent le son en intensité lumineuse. Selon la densité de sons sur le site, la lumière varie.
/ échafaudage pour le workshop
/ montage des proto-structures
gabarits de construction des proto-structures 1/5
/ modélisation 3D
This porject is about creating a space of transition, but also a space of graphic or artistic intervention.
It organizes the passage by creating a sensorial and visual experience.
The visitor, by walking through the installation, alters the visual composition of the spinning boards.
Also, the project gives the opportunity to the user to requestion the notion of passage.
The boards, by their rotation, can create really narrow spaces in which the density can be really high.
The user must then engage a negociation of space.
The notion of Inside/Outside is also very important in this project.
If we are outside of the construction, we have before our eyes a moving and changing exhibition, but if we're inside, we have ourselves a spacial experience.
However we can't experiences these two feelings at the same time.
The project is located in the ways that it can be seen from the more diverse point of view possible and available on the site.
Also, the graphic composition that are on the boards can be in relation with what takes place under the bridge, such as spray paint, or with what takes place in the ZHdK.
//1:20, 1:10 & 1:5 Construction Drawings
//1:10 Rotation and Space Study
//1:10 Scale Model
1:10 scale final wooden model
/ Week 3
1:10 Spinning board construction detail model
Spraypaint elaboration of an exploration of the idea of exquisite corpse on the 1:10 model
/ Week 2
1:10 Scale evolution of the construction model
/ Week 1
Room with 25 doors by treero Porte, 11,Rue Larrey by Marcel Duchamp
//Details1:100 scale model1:10 Scale construction model
Par sordet basile, 19/12/16
Exploration of density and textures using the f r a g m e n t a t i o n then bursting of a closed space, creating a possibility of having new spaces between each threshold, each one getting bigger and bigger.
The fragmentation is produced by the verticals of the proto-strucutre, and the bursting by the exponential spacing between those.The protostructure, besides its structural role, is literraly a "space cutting" machine.
The increasing depth generated by these actions (which we could easily imagine becoming infinite if we enlarged the protostructure even more), reinforced by the non-linear geometry and the texture of the plaster, creates a new fiel of exploration for the user to experience, showing him a space that once was easy to define, now seams open to imagination and endless.
Plaster model incerted into the proto-structure (1:20 scale)
The depth of the closed space is extended by the space generated by the facing project (1:20 scale)
The proto-structure fragments the volume as it fragments the field of view (1:20 scale)
Important density becoming lighter due to the exponential dilatation (1:20 scale)
Monge projection (longitudinal cut and plan) showing the fragmentation/dilatation (1:20 scale)
Monge projection (plan and longitudinal cut) showing a form research based on the proto-structure
dialoguing with a less recent approach of the project (1:66 scale)
axonometric projection of the protostructure's conception
Visual interpretation of an exponantial fragmentation on a human body