• Week 4 - Reversed spaces

    Par Popescu Theodor, Rickli Quentin, 16/10/17

        How did François Dagognet bring up in his texts, measure aims the universal? Actually, in architecture as well as in many other domains, measuring is associated with precision and accuracy. However, we can't leave out the personal character which measuring can take when the measurer gets involved in his process. The distance between an object and its image is not insignificant as far as an extern player gets involved. The question which stems from this thought is how can we extract ourselves from the very concrete of the field, in order to express not only the existing place but also a new developed concept.

        In our project we were quickly attracted by the introverted nature of a small street due to its situation slightly at the bottom of the main road. We related the marginalization of this street to our first speech about the room we let for nature in our life and the no sense of the paradoxical door which, whatsoever, found itself out of context. Then we decided to fully use the potential of molding in negative to turn the emptiness of the marginalized street into a strong volume. During this first exercise of measure we totally understood that could extract information from the real while being inspired by the location (materials, textures, forms, volumes, feelings, situations…) in order to express a concept, this idea of dissociating the street from the rest of the model.

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    Even the light can't return the sens to the marginalized place as it is refusing its entry.




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    Process of the final version from the third model including the superposition of the Bruxelle's roof.
    Image Fri Oct 20 2017 19:31:19 GMT+0200 (Hora de verano romance)


    Using the full potential of a negative model, we wanted to turn the maginalized street into a strong volume.

    Image Fri Oct 20 2017 19:31:19 GMT+0200 (Hora de verano romance)

    The nature stays behind the strong volume, being its own shade and whose function is mainly to take part of the background.

    Image Fri Oct 20 2017 19:31:19 GMT+0200 (Hora de verano romance)

    Superposition of Bruxelle's and Malley's roof to show the opposition on the orientation of both buildings.




  • / week 3

    Par Frederik Dahlqvist, Wegener Alexander, 16/10/17




    Existe-t-il une relation entre le visible et l'invisible comme outil de mesure ? 

    Mise en abyme du détail et de son interraction avec l'invisible. 

    Les détails amorces ont toujours leur importance bien que le sujet se soit centralisé sur le cours d'eau et son interaction avec l'extérieur. 

    Le bloc, une fois le dessus du niveau zéro franchit, change de forme. Il n'est plus qu'un angle, qu'une image, qu'un repère. Il illustre la topographie, l'angle de pénétration de la lumière, la hauteur jusqu'à l'arche du pont et le temps qui dessine ses courbures.


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  • / week 1

    Par Wegener Alexander, Frederik Dahlqvist, 01/10/17




    Mise en relation des deux détails.

    L'étude du vide sous l'arche, déstructurée, et de la cheminée d'aération du Galicien donne une forme antinomique au rendu, liant massivité et légèreté. 


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  • MEASURES

    Par stephane grandgirard, 25/09/17



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