Séquence de montage
Location of constructive details
-
L'escalier originel
Par Keskin Irem, Simontacchi Lorenzo, 21/04/20Avec Lorenzo Simontacchi, Jean-Luc Robbins, Fanny Ghez, Jacques Gignoux
Short Story / Fiction
The stairs go on forever to have neither start nor end. For miles they climb, on and on, splitting the sky. For miles they fall, on and on... at some point they touch the ground, but don’t stop there, digging out dirt and making their way through the earth. Where do they lead? Nobody knows. Many have tried following them to their end, never to return.
The stairs were there before the humans came. The men had tried walking on them, sitting on them, and sheltering beneath. As society evolved it assimilated the stairs and men started building around them.
Soon levels were created to replicate the ground floor and allow more beings to live in proximity of the stairs. Religions explaining the origins of the stairs and their relationship to the gods made men eager to worship in building. In a bid to reach ever higher grounds modern society was built on layer upon layer of the work of previous generations, all men working for other men above them, a human structure, always growing.
Jean-Luc Robbins, Studio Abenia
Storyboard
Planche à croquis - Evolution des idées
La House est un lieu de transition.
Notre House prend place au milieu de la nature du site du Galpon à Genève. Elle crée ainsi un passage d’une part, pour les visiteurs de rejoindre le Rhône et d’autre part, pour les baigneurs d’accéder au parking et au théâtre du Galpon.
La House est un lieu de déambulation.
Notre House comporte deux entrées. La première se tient sur la parking. Chacun effectue son cheminement personnel à travers des colonnes verticales très denses. La deuxième entrée se fait depuis le Rhône. Un jeu d’escaliers et de plateaux se jetant dans la rivière permettent aux baigneurs d’accéder à la House.
La House est un lieu d’activité humaine.
Notre House accueille en son milieu les visiteurs et les baigneurs sous un toit. Puis, pour continuer leur aventure, les visiteurs et les baigneurs peuvent voyager sur la grande diagonale, composée majoritairement d’escalier, traversant l’entièreté de la House. Au sommet de la diagonale, le gabarit des marches d’escalier change pour ainsi créer un gradin et permettre à son utilisateur de s’asseoir et admirer le spectacle. Pendant ce temps, en bas de la diagonale, l’inclinaison des marches d’escalier devient plus confortable afin de se ressourcer en s’allongeant au bord du Rhône.
Irem Keskin, Studio Bondu
Vues perspectives
Collages - Ambiances
SERIE DE DESSINS TECHNIQUES
Vues perspectives Rhino
Monge & Coupes 1:50
Axo 1:50
-
Good morning
Par Keskin Irem, 07/03/20I leave Starbucks with a venti cappuccino in my left hand and an americano (for him) in my right hand, time to go to the meeting point.
It is 10 AM, I climb the dark hallway ramp on the left and enter the bright room from the shorter path. I slowly walk down the slight slope towards the meeting point in the middle of the room. A refreshing spring wind blows threw the wooden strips of the tall parallel walls, I get chills, yet the sun warms me. His shadow then appears near the higher threshold. He walks up the slope and finally stands in front of me, our eyes are on the same level. We hear the Rhône flowing, it soothes the atmosphere. I hand him his coffee...
Week 1. One vertical, one horizontal, one oblique, one joker
A room with four squared plans. In my room, I can hear the water running off, it reminds me of this park. July 2014. My family and I discovered the Paley Park in New York. I was obsessed with the huge vertical walls of the buildings surrounding the park. The waterfall in the back drowned out the sounds of the city and made the park very peaceful.
View on the Paley Park First sketches
Neither cardboard, nor wood; a blank paper, a pencil
Monge 1:10 & Perspective
Axon 1:10 Plan & Elevation 1:10
Week 2. The exercise of research by drawing led me to these new positions of my four squared plans.
Monge 1:20
Week 3 & 4. Structure, Models & Material 1:10
A system of wood frame bracing holds the cantilevered roof and the oblique plan and strengthens the protostructure as well.
Week 5. New Work Space
Rhino is our new studio. I started drawing my project on Rhino and it quickly led me to think about the joints between my room and the protostructure.
Axon 1:20 Mockups 1:20
Vertical sections 1:20 Horizontal & oblique plan section 1:20
Week 6. Studio Bondu projects
Plan 1:50
Elevation North 1:50
Elevation (side) 1:50
