• THE CATALOGUE.

    Par Guo Anli, Keskin Irem, Lefebvre Yann, Link Johan, Perner Fabian, 26/05/20



    Image Tue May 26 2020 20:28:31 GMT+0200 (CEST)


    Image Tue May 26 2020 20:28:31 GMT+0200 (CEST)

    Séquence de montage

    Image Tue May 26 2020 20:28:31 GMT+0200 (CEST)

    Location of constructive details


    Image Tue May 26 2020 20:28:31 GMT+0200 (CEST)


    Image Tue May 26 2020 20:28:31 GMT+0200 (CEST)


    Image Tue May 26 2020 20:28:31 GMT+0200 (CEST)


    Image Tue May 26 2020 20:28:31 GMT+0200 (CEST)


    Image Tue May 26 2020 20:28:31 GMT+0200 (CEST)


    Image Tue May 26 2020 20:28:31 GMT+0200 (CEST)


    Image Tue May 26 2020 20:28:31 GMT+0200 (CEST)


    Image Tue May 26 2020 20:28:31 GMT+0200 (CEST)


    Image Tue May 26 2020 20:28:31 GMT+0200 (CEST)


    Image Tue May 26 2020 20:28:31 GMT+0200 (CEST)


    Image Tue May 26 2020 20:28:31 GMT+0200 (CEST)


    Image Tue May 26 2020 20:28:31 GMT+0200 (CEST)


    Image Tue May 26 2020 20:28:31 GMT+0200 (CEST)


    Image Tue May 26 2020 20:28:31 GMT+0200 (CEST)


    Image Tue May 26 2020 20:28:31 GMT+0200 (CEST)


    Image Tue May 26 2020 20:28:31 GMT+0200 (CEST)





  • A JUNCTURE

    Par Guillotin Lea, 26/05/20

    With Nathan Pasche and Jean Richter from studio Wegman, Robin Gugger from studio Trieber, Marvin Tajana from studio Abenia.


    This year, the two places chosen by ALICE y1 are sites on the banks of the Rhône and the Arve. The one we are working on is called "the Galpon site". 

    It reveals an industrial area hidden by trees and mixes public and private areas, such as the Galpon theater  as well as the warehouse for the waste of Geneva.


    Image Tue May 26 2020 16:59:48 GMT+0200 (heure d’été d’Europe centrale)

    site axonometry

    The site is surrounded by woods and has a rich biodiversity, however, the human footprint is very present on the site: the asphalt levelling the land spreads over a large portion of the Galpon site. This artificial soil implies that trees have been removed at this location, thus encouraging access for motor vehicles.

    So these contrasts and the diversity make the site attractive and interesting for the establishment of the House project, A JUNCTURE.


    Image Tue May 26 2020 16:59:48 GMT+0200 (heure d’été d’Europe centrale)Image Tue May 26 2020 16:59:48 GMT+0200 (heure d’été d’Europe centrale)

    site plan (scale 1:100)


    The particularity of the site is that the house is located on a inclined slope through the woods and links the parking lot to the water.

    Image Tue May 26 2020 16:59:48 GMT+0200 (heure d’été d’Europe centrale)Image Tue May 26 2020 16:59:48 GMT+0200 (heure d’été d’Europe centrale)

    elevation (scale 1:60)

    Image Tue May 26 2020 16:59:48 GMT+0200 (heure d’été d’Europe centrale) Image Tue May 26 2020 16:59:48 GMT+0200 (heure d’été d’Europe centrale)

    axonometries (scales 1:60)

    The house mixes several themes such as reunification, to gather people in a place that draws a parallel to the junction. 

    It is a place where we can debate about the environment such as the debate room located on the ground floor, at the parking lot level.  We can also observe it through the flows with the observatory, located on the top floor at 7.6 meters from the water. The links to the environment are omnipresent throughout the house, for exemple the gardens with the mush'room and the perma sup. The house give you an easy access to the Arvre river thanks to the dock, cool place to enjoy the surrounding environement.

    It is also a cultural and social place with the theatre, located at 5.1 meter from the water.

    The particularity of the site is that the visitor is guided chronologically through the house, he goes from the stairs on the parking lot to the dock a the bottom, next to the water.



    Image Tue May 26 2020 16:59:48 GMT+0200 (heure d’été d’Europe centrale)




    Image Tue May 26 2020 16:59:48 GMT+0200 (heure d’été d’Europe centrale)


    Exploded axonometries of the differents part of the house (scales 1:60)


    Image Tue May 26 2020 16:59:48 GMT+0200 (heure d’été d’Europe centrale)Image Tue May 26 2020 16:59:48 GMT+0200 (heure d’été d’Europe centrale)


    Monge

    The protostructure has been structurally strengthened to make possible the construction of the different parts, by adding fondations, densification and bracing elements. 

    A part of the protostructure has been removed though, regarded as unnecessary and space taken.


    Image Tue May 26 2020 16:59:48 GMT+0200 (heure d’été d’Europe centrale)Image Tue May 26 2020 16:59:48 GMT+0200 (heure d’été d’Europe centrale)



    Image Tue May 26 2020 18:25:45 GMT+0200 (heure d’été d’Europe centrale)Image Tue May 26 2020 18:25:45 GMT+0200 (heure d’été d’Europe centrale)

    Section grid (scales 1:40)


    Image Tue May 26 2020 18:39:16 GMT+0200 (heure d’été d’Europe centrale)Image Tue May 26 2020 18:39:16 GMT+0200 (heure d’été d’Europe centrale)


    Image Tue May 26 2020 18:56:47 GMT+0200 (heure d’été d’Europe centrale)Image Tue May 26 2020 18:56:47 GMT+0200 (heure d’été d’Europe centrale)




    Image Tue May 26 2020 19:13:11 GMT+0200 (heure d’été d’Europe centrale)Image Tue May 26 2020 19:13:11 GMT+0200 (heure d’été d’Europe centrale)



    Image Tue May 26 2020 19:46:04 GMT+0200 (heure d’été d’Europe centrale)Image Tue May 26 2020 19:46:04 GMT+0200 (heure d’été d’Europe centrale)




    Image Tue May 26 2020 19:46:04 GMT+0200 (heure d’été d’Europe centrale)Image Tue May 26 2020 19:46:04 GMT+0200 (heure d’été d’Europe centrale)

    sections (scales 1:40)

  • CHAPTER 9 : MATERIAL PRAGMATISM

    Par Favre Julie Audrey, Villetelle Lena, 26/05/20

    Elia Bianchi(A), Julie Favre(B), Léna Villetelle(B), Marek Waeber(W), Nicolas Stanislas(W), Sacha Cudré-Mauroux(W)

    The goal of our chapter was to recreate a complete timeline of the material cycle of the house from material sourcing to deconstruction, including the prefabrication, the transportation, the assembly, the disassembly and the recycling of the components of the house.

                                                                                                                             week 1

    During this week we started imagining the storyline of the construction of our house, by doing a first timeline of the travel of materials that would be used to build the house.

    F I R S T   S K E T C H E S

    Image Tue May 26 2020 14:53:40 GMT+0200 (CEST)Image Tue May 26 2020 14:53:40 GMT+0200 (CEST)Image Tue May 26 2020 14:53:40 GMT+0200 (CEST)Image Tue May 26 2020 14:53:40 GMT+0200 (CEST)


    L O G I S T I C   C Y C L E


    Image Wed May 27 2020 12:26:14 GMT+0200 (CEST)Image Tue May 26 2020 14:53:40 GMT+0200 (CEST) Image Tue May 26 2020 14:53:40 GMT+0200 (CEST)Image Wed May 27 2020 12:26:14 GMT+0200 (CEST)


        
    Image Wed May 27 2020 12:26:14 GMT+0200 (CEST)  Image Tue May 26 2020 14:53:40 GMT+0200 (CEST) Image Tue May 26 2020 14:53:40 GMT+0200 (CEST)Image Wed May 27 2020 12:26:14 GMT+0200 (CEST)
     



    P R E F A B R I C A T E D      E L E M E N T S

    axonometry of our house with the prefabricated elements labelled

    Image Wed May 27 2020 10:25:41 GMT+0200 (CEST)

                                                                                                                             week 2

    During the second week, while the house evolved from last week, we started studying more in depth the prefabricated elements and the components that are required to build them up. We also continued building up the storyline of the construction of our house with a comic strip, and gathered all of the pieces of the house to measure the volume they would take in a truck.


    C O M I C   B O O K   -   B L A C K & W H I T E

    Image Tue May 26 2020 14:53:40 GMT+0200 (CEST)Image Tue May 26 2020 14:53:40 GMT+0200 (CEST)Image Tue May 26 2020 14:53:40 GMT+0200 (CEST)Image Tue May 26 2020 14:53:40 GMT+0200 (CEST)



    C A T A L O G    O F    S O M E    O F    T H E    P R E F A B R I C A T E D  

    E L E M E N T S

    Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)     Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)Image Tue May 26 2020 19:07:46 GMT+0200 (CEST)        Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)



    V O L U M E T R I C    T R U C K

    Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)

    axonometry from Rhino


                                                                                                                             week 3

    The third week, the house continued changing. We studied it in more details, by regrouping every material of the house in order to start obtain facts such as its price and the weight its components. We also organized our site of the Galpon in Geneva into several working spaces.


    C O M I C  B O O K    -    C O L O R

    Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)

    Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)


    M A T E R I A L S    &    P R I C E S

    Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)

    excel board


    C O L L A G E S

    Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)  Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)


    Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)Image Tue May 26 2020 14:22:19 GMT+0200 (CEST)

  • SYNTHESIS OF THE CHAPTER 9

    Par Favre Julie Audrey, Villetelle Lena, 25/05/20

    Elia Bianchi(A), Julie Favre(B), Léna Villetelle(B), Marek Waeber(W), Nicolas Stanislas(W), Sacha Cudré-Mauroux(W)

    M A T E R I A L       P R A G M A T I S M         O V E R V I E W 

    Image Mon May 25 2020 16:28:19 GMT+0200 (heure d’été d’Europe centrale)Image Mon May 25 2020 16:28:19 GMT+0200 (heure d’été d’Europe centrale)




    C A T A L O G

     S O M E    P R E F A B R I C A T E D     E L E M E N T S

    Image Mon May 25 2020 12:45:57 GMT+0200 (heure d’été d’Europe centrale) Image Mon May 25 2020 12:45:57 GMT+0200 (heure d’été d’Europe centrale) Image Mon May 25 2020 12:45:57 GMT+0200 (heure d’été d’Europe centrale) Image Mon May 25 2020 12:45:57 GMT+0200 (heure d’été d’Europe centrale)

    Image Mon May 25 2020 12:35:35 GMT+0200 (heure d’été d’Europe centrale) Image Mon May 25 2020 12:35:35 GMT+0200 (heure d’été d’Europe centrale) Image Mon May 25 2020 12:35:35 GMT+0200 (heure d’été d’Europe centrale) Image Mon May 25 2020 12:35:35 GMT+0200 (heure d’été d’Europe centrale)



    T R A N S P O R T A T I O N 

    Image Mon May 25 2020 13:22:25 GMT+0200 (heure d’été d’Europe centrale)Image Mon May 25 2020 13:22:25 GMT+0200 (heure d’été d’Europe centrale)



    T H E    E I G H T    D A Y S    O F    A S S E M B L Y


    Image Mon May 25 2020 13:49:31 GMT+0200 (heure d’été d’Europe centrale)


    Image Mon May 25 2020 13:49:31 GMT+0200 (heure d’été d’Europe centrale)

    S o u r c i n g   S y n t h e s i s

    Prices, Weights, Materials, Sourcing per part of the house

    Image Tue May 26 2020 12:34:59 GMT+0200 (heure d’été d’Europe centrale)
  • Position

    Par Perrin Leo, 20/05/20


    Image Wed May 20 2020 03:52:10 GMT+0200 (CEST)


    Axon, position of the ponton among the house

    with Claire Hennel and Luis Melgar (Studio Wegman)