D I S C O V E R I N G T H E A T M O S P H E R E S
F I R S T D R A F T S
F I R S T F E E L I N G S
With Nathan Pasche and Jean Richter from studio Wegman, Robin Gugger from studio Trieber, Marvin Tajana from studio Abenia.
Intregration of the project in the Galpon site, GENEVA
Drawings : plans / East & North elevations (scales 1:40)
Drawing : plans (scales 1:20)
This drawing highlights the position of the trees in the protostructure and show how they interact with the project
Drawing : Axonometry (scales 1:40)
We also developped the project by including a back stage underneath the bleacher and the walkway. This new room is surrounded by a tight lathing with a tiny horizontal opening allowing light supply.
Drawing : Section (scales 1:40)
You can access to the back stage thanks to those following stairs, directly from the debate room.
Drawing : Perspectives
We have also updated the second access to the project by redesigning de stairs on the roof, changing the tilt and the width.
Collage : Perspective
Réalisé avec Laura Ciak (Abenia), Lise Courtin (Treiber)et Sabrina Travaglini (Wegman)
Inspiration par les projets faits dans la phase ROOMS:
Gabrielyan Eva (Abenia) : scène suspendue
Rey Mikael (Bondu) : théâtre
Abansir Marwan (Treiber) : balcons
Suter Delphine (Wegman) : salle de débat
Développement par le dessin :
premiers croquis sur le conceptboard
conception de notre House
développement des passages
croquis de composition des escaliers et des loges pour créer un signal
dessin du théâtre final : scène et gradins
A house full of contradictions, a room serving one purpose and the next the complete opposite. Sometimes, they are passive observers and sometimes, active participants. Sharing collective moments with others one instant and enjoying the intimacy of their private quarters in the next. They can also pass from a very low place where they feel immersed in nature to another higher one where they have greater visibility in front of them.
The first room that they see after entering the house is the debate room. This room has its privacy because of the three planes composing its roof and because of its position on a lower level than the entrance of the house. The choice of its circular form was made to make it more comfortable for people to discuss and be able to see everyone in the room. The second one is the theatre which is composed of bleachers following the slope of the site. The bleachers don’t touch the slope to avoid destroying the vegetation that exists on site. At the end of the slope, there is the stage that touches the water where a play can take place using the landscape behind as a backdrop where or a movie can be shown on the removable screen. The house can be seen from the other side of the river because of a high signal made of many small spaces of different heights for one or two people. Stairs allow the circulation between these places that offer an intimate moment. Also, they shade some parts of the bleachers during the day. The transition between all the rooms is ensured by simple spaces with good visibility of the house so people always have the choice to take a direction knowing where it’s leading them.
Dessins Rhino :
premiers dessins sur Rhino (axon, plan, coupe)