• Houses, week 3

    Par Branet Inès, Hennel Claire, 27/04/20


    With Estreicher Clément and Perrin Léo from studio Bondu, Hayyane Filali Aymane and Zanota Armand from studio Treiber



    Image Mon May 04 2020 14:39:00 GMT+0200 (CEST)

    Surfaces families


    Image Mon May 04 2020 14:39:00 GMT+0200 (CEST)

    Material storyboard


    Image Mon May 04 2020 14:39:00 GMT+0200 (CEST)


    Horizontality by reflections

    Image Mon May 04 2020 14:39:00 GMT+0200 (CEST)Image Mon Apr 27 2020 13:54:23 GMT+0200 (CEST)Image Mon May 04 2020 14:39:00 GMT+0200 (CEST)


    In situ materials dialogue, reuse of potato bags and bricks made of Rhône's clay



    Image Mon Apr 27 2020 13:54:23 GMT+0200 (CEST)


    Image Mon Apr 27 2020 13:54:23 GMT+0200 (CEST)


    Structural detail, reuse of boat sails, the sail as a bleacher



    Image Mon Apr 27 2020 13:54:23 GMT+0200 (CEST)


    Image Mon Apr 27 2020 13:54:23 GMT+0200 (CEST)


    Image Mon Apr 27 2020 13:54:23 GMT+0200 (CEST)



    Image Mon Apr 27 2020 13:54:23 GMT+0200 (CEST)


    Image Mon Apr 27 2020 13:54:23 GMT+0200 (CEST)





    Image Mon Apr 27 2020 13:54:23 GMT+0200 (CEST)


    Collision between the wall and the protostructure, wall made of gabions and wood shavings


    Image Mon Apr 27 2020 13:54:23 GMT+0200 (CEST)Image Mon Apr 27 2020 13:54:23 GMT+0200 (CEST)



    Structural joint




    Image Mon Apr 27 2020 14:13:21 GMT-0500 (CDT)





    Image Mon Apr 27 2020 14:13:21 GMT-0500 (CDT)



    Image Mon Apr 27 2020 14:13:21 GMT-0500 (CDT)





  • Houses, week 2

    Par Branet Inès, Hennel Claire, 20/04/20


     With Zanota Armand from studio Treiber, Leo Perrin and Yann Lefebvre from studio Bondu



    SITE



    Image Mon Apr 27 2020 14:24:50 GMT-0500 (CDT)


    Image Mon Apr 27 2020 14:24:50 GMT-0500 (CDT)


    RESEARCH




    Image Mon Apr 27 2020 14:24:50 GMT-0500 (CDT)





    Image Mon Apr 27 2020 14:24:50 GMT-0500 (CDT)



    Image Mon Apr 27 2020 14:24:50 GMT-0500 (CDT)




    Image Mon Apr 27 2020 14:24:50 GMT-0500 (CDT)Image Mon Apr 27 2020 14:24:50 GMT-0500 (CDT)Image Mon Apr 27 2020 14:24:50 GMT-0500 (CDT)


    Image Mon Apr 27 2020 14:24:50 GMT-0500 (CDT)





    Image Mon Apr 27 2020 14:24:50 GMT-0500 (CDT)



    DRAWINGS



    Image Mon Apr 27 2020 14:24:50 GMT-0500 (CDT)





    Image Mon Apr 27 2020 14:24:50 GMT-0500 (CDT)





    Image Mon Apr 27 2020 14:24:50 GMT-0500 (CDT)



    DEBATE ROOM, SKETCHES


      Image Mon Apr 27 2020 14:24:50 GMT-0500 (CDT)Image Mon Apr 27 2020 14:24:50 GMT-0500 (CDT)



        

    SITTING AREAS, SKETCHES

     

         Image Mon Apr 27 2020 15:10:46 GMT-0500 (CDT)Image Mon Apr 27 2020 15:10:46 GMT-0500 (CDT)Image Mon Apr 27 2020 15:10:46 GMT-0500 (CDT)



    THEATRE, COLLAGE


    Image Mon Apr 27 2020 15:10:46 GMT-0500 (CDT)



    STAIRS TO THE THEATRE



           Image Mon Apr 20 2020 02:53:27 GMT+0200 (W. Europe Summer Time)   



    FRONT VIEW, COLLAGE 



    Image Mon Apr 27 2020 15:10:46 GMT-0500 (CDT)




  • Houses, week 1

    Par Branet Inès, Hennel Claire, 14/04/20


    With Zanota Armand, Studio Treiber, Perrin Leo and Lefebvre Yann, Studio Bondu




    Image Tue Apr 14 2020 14:17:25 GMT+0200 (CEST)



    Axonometry of the scenario



    Image Tue Apr 14 2020 14:17:25 GMT+0200 (CEST)


    Monge of the scenario



    Image Tue Apr 14 2020 14:17:25 GMT+0200 (CEST)


    Intent text: a day in the house, shifted in fragments of life.

    Hannah, 21, blurred times, in transition

    I am unfamiliar with this city, I have only been in Geneva for one month. It was a short, moist summer night when I ran across the house.  I was drifting along planes, I followed the sound of the river and came to rest on the lower part of the house. Three planes as if they were dancing formed a wide and welcoming cocoon. As open as it was, I felt great. Time passed by, it always does, but with the unchanged burble of the river, I felt I could sty there forever. I felt alive.

    Charles, 6, can count up to 60

    I discovered this place last holidays. It looked like a giant park; I quickly lost my parents in the jungle. My pace went faster as I found my way out of the labyrinth. Then I arrived in a in a place with a strange roof surround by empty cubes, as if it where all made out of legos. There were a lot of people and in the center two of them were speaking, it was full of grown-ups, I recognized my parents among the crowd and continued my journey. My parents saw me, and followed me in to the theatre. It was a funny theater, it looked like wooden falls. I easily got distracted from the play as the backround was way more appealing. Birds, hundreds of them flied from tree to tree and the junction’s colours changed as the sun got lower.   That is the last thing I remember from that day. It was a great adventure.

    Juliet, 43, highly determined, no links with her family

    I have lived in Geneva for 14 years now and I believe there is a real lack of common ground in this city, for arts, for thoughts. Thus, when I heard of this house near the junction, I immediately wanted to see it. I visited it with some friends, it was an early Tuesday night. An adaptation of La cantatrice chauve was scheduled. We were late, we quickly got to our seats in the theater. The play was nice, the atmosphere reminds me of the genesis of theatre, landscapes, the scene and bleachers. When the play was over we followed the slope and found room to begin a discussion. It was our shelter, and we talked about the necessity or not of sets in the scenography. I won’t unwrap all the plea, yet I thought it was funny that these cubes on the ground created a scenography during our debate, as a mise en abyme.




    Image Tue Apr 14 2020 14:17:25 GMT+0200 (CEST)Image Tue Apr 14 2020 22:48:57 GMT+0200 (CEST)



    Research

    Collages


    Image Tue Apr 14 2020 14:17:25 GMT+0200 (CEST)


    Pier collages



    Image Tue Apr 14 2020 14:17:25 GMT+0200 (CEST)

    Debate collage


    Mock-ups

    The bleachers, slope dialogue


    Image Tue Apr 14 2020 14:17:25 GMT+0200 (CEST)


    The labyrinth garden


    Image Tue Apr 14 2020 14:17:25 GMT+0200 (CEST)



    Image Tue Apr 14 2020 14:17:25 GMT+0200 (CEST)

                            Bird view, flying speed                                                               Human view, walking speed



    Image Tue Apr 14 2020 14:17:25 GMT+0200 (CEST)

    Sundance



    Image Tue Apr 14 2020 14:17:25 GMT+0200 (CEST)


    Bird view sequence


  • Rooms, frames and slabs

    Par Branet Inès, 06/04/20


    Image Sun Apr 05 2020 19:19:22 GMT-0500 (CDT)



    Axon, ink on paper. Deconstructed room.

  • Rooms, digital weeks

    Par Branet Inès, 31/03/20



    Image Mon Mar 30 2020 19:34:50 GMT-0600 (CST)

    A Room for drawing. 



    Image Mon Mar 30 2020 19:34:50 GMT-0600 (CST)  

    Sections: following the path of the visitor. 

    Perspective: detail of the sitting condition. 

    First section: eye level height of a standing person. As he follows the path that leads him into the room the visitor will be standing and unable to see beneath the entrance wall. As he leaves he will follow the ramp and the exit wall will serve him as a guideline.

    Second and third sections: eye level height of a person sitting in the oblique plane. 



    Image Mon Mar 30 2020 19:34:50 GMT-0600 (CST)Axonometry: the wooden structure beneath the concrete panels. 
    Details of the intersection of the planes with each other and with the protostructure.                                                        Image Mon Mar 30 2020 19:34:50 GMT-0600 (CST)


    Axonometry, Scale 1:3


    Detail of the relation between the wooden structure, the protostructure and the concrete panels in the entrance of the room.
    Framework will insert the structural grid where the drawings will be exposed. While climbing the stairs this gallery wall will give the visitor a first glimpse of what happens inside the room.                                                  
    Image Mon Mar 30 2020 19:34:50 GMT-0600 (CST)


    Perspective of the view you have when entering the room. 


    Image Mon Mar 30 2020 19:34:50 GMT-0600 (CST)

    An opening of the view as you sit.


    Image Mon Mar 30 2020 19:34:50 GMT-0600 (CST)

    Axonometry: the geometry of the room and the grid of the protostructure.