WEEK 1 : BEGINNING
CREATING A SPACE WITH FOUR PLANS, USING THE HEIGHT OF THE PROTOSTRUCTURE TO CREATE A SENSATION OF INTERIORITY.
LOOKING FOR A WAY TO AVOID INTERSECTIONS WHICH ISOLATE THE PROTAGONIST FROM THE BEAUTIFUL ENVIRONMENT HE'S IN.
STUDY OF THE EFFECTS CREATED BY THE SHADOWS OF THE PLANS AT DIFFERENT TIMES OF THE DAY.




PLAN 1/10 ELEVATIONS 1/10 PERSPECTIVE FROM THE ENTRANCE AXONOMETRY
WEEK 2 : CHANGES
FROM THE CONSTRAINT OF HAVING NO INTERSECTIONS CAME THE IDEA OF REFLEXION BETWEEN THE DIFFERENT PLANS
INSTEAD OF LIGHT AND SHADOW, THE USE OF SOUND WILL ESTABLISH AN INTERIORITY.
FOCALISATION OF THE ROAR OF THE RHONE AND THE SWISH OF THE FOREST AROUND THE SITE.
AS A RESULT
CONCEPTION OF AN INTERIOR PASSABLE WITHOUT LIGHT.
INTRODUCTION OF A MOVEMENT FROM TOP TO BOTTOM WITH THE SPACES CREATED BY FOCALISATION OF THE TWO SOURCES
ROOM VISIBLE BY HEARING.
PLAN 1/10 ELEVATION FROM WEST SIDE
(SOUND REPRESENTATION WITH HATCHES)
WEEK 3 : ESSENCE
ALMOST BUT NOT TOUCHING
THE IDEA OF SOUND GIVE THE OPORTUNITY TO IMAGINE A SOUND-REFLECTING ROOM.
REPETITION OF AN ISOSCELES TRIANGLE CREATE BY THE NESTING OF THE THREE DIAGONALS PLANS.
CONVERGENCE OF THE PLANS IN THE CENTER OF THE ROOM,
CONRTADICTION BETWEEN THE DENSIFICATIONS AND THE VOID CREATE BY THE HOLE IN THE CENTER OF THE HORIZONTAL PLAN.
ENHANCEMENT OF THE PROTSTRUCTURE PASSING THROUGH THE SPACE WITHOUT TOUCHING IT.
FIRST SKETCH
WEEK 4 : INSERTION
CUT OF THE HORIZONTAL PLAN.
PRODUCTION OF A CROSS FROM THE STRUCTURE AROUND THE TRIANGLE TO DEVIATE THE PROTOSTRUCTURE.
HORIZONTAL PLAN, NESTING
ASSEMBLING IN THE PROTOSTRUCTURE
CONSTRUCTION OF THE DIAGONAL PLANS SUSPEND TO THE PROTOSTRUCTURE WITH A SYSTEM OF THREE ATTACHMENT NOD FOR EACH PLAN
CONSTRUCTION'S DETAILS OF THE DIAGONALS PLANS
WEEK 5 AND 6 : METAMORPHOSIS
VIRTUAL CONSTRUCTION OF A DEBATE ROOM
PLAN AND ELEVATION ROOF AND GROUND CONDITION
VIEW FROM THE ENTRANCE INTO THE EYES OF THE MODERATOR
PODIUMS CONDITION AXONOMETRY AND MOCKUP OF THE
ATTACHMENT NOD IN 1/10
CUT OF THE PROTOSTRUCTURE AND CONSOLIDATION OF IT