• HOUSES ERGONOMY - DEBATE ROOM (brouillon)

    Par Cruchaud Nina, Melgar Luis, Suter Delphine Magaline, 31/05/20








    also with: Stephen Bopeso from studio Bondu and Filali Aymane from the articulation group from studio Treiber.

    Ergonomy 


    Study on how design can influence the interaction between body and architecture. It can apply on different scales from the hand touch to the feeling of the whole body being in a room.


    This approach is directly linked to the experiences and flows chapters in term of conceptualization of the space. Regarding the construction part, the collaboration with articulations and details groups allowed us to deliver a precise project.


    We cared about creating a space that can be experienced in the most natural way. However in some specific situations, working with the opposite logic in mind, can create a voluntary contradiction in the idea to unsettle the protagonist.


    Indeed this unusual experience can call out to him and bring him a new sensation.




    After separating into different chapters we then created new groups to focus our efforts on some specific parts of the house collaborating with the articulation group. 


    The debate room evolved in many ways regarding ergonomic, material, or structural questions.

    Image Sun May 31 2020 15:04:09 GMT+0200 (CEST)

     A part of the chapter "ergonomy and articulation" of the REAL BOOK is dedicated to this section of the house. Here are few pages of it. 


    Image Sun May 31 2020 19:59:06 GMT+0200 (CEST)Image Sun May 31 2020 19:59:06 GMT+0200 (CEST)Image Sun May 31 2020 19:59:06 GMT+0200 (CEST)

    Image Sun May 31 2020 20:30:18 GMT+0200 (CEST)Image Sun May 31 2020 20:30:18 GMT+0200 (CEST) 

    The design was made in a way to appeal the five senses.

    For example the sails can induce various consequences regarding lights but also the touch of the fabric or even movements and unbalanced feelings that can be caused by the sitting of someone on the other side of the bleacher. 

    Image Sun May 31 2020 19:59:06 GMT+0200 (CEST)


    Ergonomic researches are expressed through sketches of the interaction between the body and the space around at different scales. 

    Image Sun May 31 2020 19:59:06 GMT+0200 (CEST)Image Sun May 31 2020 19:59:06 GMT+0200 (CEST)Image Sun May 31 2020 19:59:06 GMT+0200 (CEST)Image Sun May 31 2020 19:59:06 GMT+0200 (CEST)

    Some collages were also produced to express the atmosphere that can be felt regarding the sails in therm of shadows during debates or just with natural and calm shadows of the trees.




    Image Sun May 31 2020 19:59:06 GMT+0200 (CEST)Image Sun May 31 2020 19:59:06 GMT+0200 (CEST)

  • HOUSES WEEK 1-2

    Par Cruchaud Nina, Suter Delphine Magaline, 31/05/20

    with: Julia Petrachenko from studio Abenia, Aymane Filali from studio Treiber and Mikael Rey from studio Bondu 

    For the 2 first weeks of the phase we've been asked to design a house composed by different elements taken back from the precedent phase: ROOMS. 

    It's from this point that we actually started to learn how to work as a team but through a screen. 

    We also learned more about the site conditions and the stories of the JONCTION in order to create our own.

    Writing a short story about the potential future house helped us to contextualize our design choices.

    In the middle of the production, all the actors left the Galpon scene. The spectators, including myself were a bit surprised but then we all understood somehow that we needed to follow the artists outside.
    On the right, from the parking lot to the trees, a big wooden structure was 
    standing.

    The actors entered quickly in it and disappeared. Slowly we arrived in a strange space made by big oblique planes. Once inside, the crowd continued moving in the direction of the Arve attracted by a mysterious opening through which appeared the water. We arrived on stairs and climbed them up. The trees seemed to be part of the construction going in and out the stairs. We arrived close to another floor. We had to cross it by a small opening and we finally saw the artists again. They were dancing and moving in a very smooth way around some pillars. We had to find a way through this scene to reach the tier.

    Behind us stood a structure pointing the other bank of the Arve like a signal.

    At the end of the representation we wanted to explore more and we were naturally attracted by another small entrance, in front of us, crossing the stairs.

    Behind was a different space which felt like a dead end and made out of the same planes than the entrance but with a central space with two small platforms facing each other. It looked like a good place to confront someone verbally. The roof planes seemed to be floating and created an interesting echo with the people dialogues.

    After that I slipped off and ran down the stairs to reach the calm water and the tree’s shadows.

    Beside that we draw a story board to visualize a visit of the house 

    Image Sun May 31 2020 14:27:02 GMT+0200 (CEST)

    study sketches of doors through bleachers and ways of distributing the space between floors

    Image Sun May 31 2020 14:27:02 GMT+0200 (CEST)Image Sun May 31 2020 14:27:02 GMT+0200 (CEST)


    Some collages, rhino models and additional texts were made to develop more the concepts of the house and appear in other blog posts of the team. 

  • PHILOSOPHICAL QUESTIONS

    Par Branet Inès, Cruchaud Nina, Hennel Claire, Melgar Luis, Suter Delphine Magaline, 29/05/20





    Image Fri May 29 2020 09:45:44 GMT+0200 (heure d’été d’Europe centrale)


    Image Fri May 29 2020 09:45:44 GMT+0200 (heure d’été d’Europe centrale)


    WITH:

    BOPESO STEPHEN, PERRIN LÉO, STREICHER CLEMENT, HAYYANE FILALI AYMANE AND ZANOTA ARMAND FROM STUDIO BONDU AND TREIBER


  • WORKSHOP

    Par Cruchaud Nina, Melgar Luis, Suter Delphine Magaline, 27/05/20

    ERGONOMY

    STUDY ON HOW DESIGN CAN INFLUENCE THE INTERACTION BETWEEN BODY AND ARCHITECTURE.

    IT CAN APPLY ON DIFFERENT SCALES FROM THE HAND TOUCH TO THE FEELING OF THE WHOLE BODY BEING IN A ROOM.

    THIS APPROACH IS DIRECTLY LINKED TO THE EXPERIENCES AND FLOWS CHAPTERS IN THERM OF CONCEPTUALIZATION OF THE SPACE. REGARDING THE CONSTRUCTION PART, THE COLLABORATION WITH ARTICULATIONS AND DETAILS GROUPS ALLOWED US TO DELIVER A PRECISE PROJECT.

    WE CARED ABOUT CREATING A SPACE THAT CAN BE EXPERIENCED IN THE MOST NATURAL WAY. HOWEVER IN SOME SPECIFIC SITUATIONS, WORKING WITH THE OPPOSITE LOGIC IN MIND, CAN CREATE A VOLUNTARY CONTRADICTION IN THE IDEA TO UNSETTLE THE PROTAGONIST.

    INDEED THIS UNUSUAL EXPERIENCE CAN CALL OUT TO

    HIM AND BRING HIM A NEW SENSATION.


    Image Wed May 27 2020 13:55:28 GMT+0200 (heure d’été d’Europe centrale)




  • Parking, last weeks

    Par Branet Inès, Suter Delphine Magaline, 27/05/20

    With Clement Streicher and Armand Zanota.



    Image Wed May 27 2020 04:43:02 GMT-0500 (CDT)

    By I. Branet







    Image Wed May 27 2020 04:04:44 GMT-0500 (CDT)


    By D. Suter




    Image Wed May 27 2020 04:04:44 GMT-0500 (CDT)





    Image Wed May 27 2020 04:04:44 GMT-0500 (CDT)



    By C. Estreicher




      Image Wed May 27 2020 04:04:44 GMT-0500 (CDT)Image Wed May 27 2020 04:04:44 GMT-0500 (CDT)




    By C. Estreicher, D. Suter



      Image Wed May 27 2020 04:04:44 GMT-0500 (CDT)Image Wed May 27 2020 04:04:44 GMT-0500 (CDT)




    By A. Zanota, D. Suter




      Image Wed May 27 2020 04:04:44 GMT-0500 (CDT)Image Wed May 27 2020 04:04:44 GMT-0500 (CDT)




    By I. Branet, D. Suter




    Image Wed May 27 2020 04:04:44 GMT-0500 (CDT)


    By A. Zanota, I. Branet