Par Travaglini Sabrina, 22/04/20
Fait avec Laura Ciak (Abenia), Shabaan Rahaf (Bondu), Delortlaval Paul (Bondu) et Lise Courtin (Treiber.
Inspiration par les projets faites de la phase ROOMs:
Gabrielyan Eva (Abenia) : scène souspendue
Rey Mikael (Bondu) : théâtre
Abansir Marwan (Treiber) : balcons
Suter Delphine Magaline (Wegman) : salle de débat
Développement par dessin :
premières croquis sur le conceptboard
conception de notre House
développement des passages
croquis des compositions des escalières et des loges pour créer une signiale
dessin du théâtre final : scène et l'atrium
Text du concept:
A house full of contradictions, a room serving one purpose and the next the complete opposite. Sometimes, they are passive observers and sometimes, active participants. Sharing collective moments with others one instant and enjoying the intimacy of their private quarters in the next. They can also pass from a very low place where they feel immersed in nature to another higher one where they have greater visibility in front of them.
The first room that they see after entering the house is the debate room. This room has its privacy because of the three planes composing its roof and because of its position on a lower level than the entrance of the house. The choice of its circular form was made to make it more comfortable for people to discuss and be able to see everyone in the room. The second one is the theatre which is composed of bleachers following the slope of the site. The bleachers don’t touch the slope to avoid destroying the vegetation that exists on site. At the end of the slope, there is the stage that touches the water where a play can take place using the landscape behind as a backdrop where or a movie can be shown on the removable screen. The house can be seen from the other side of the river because of a high signal made of many small spaces of different heights for one or two people. Stairs allow the circulation between these places that offer an intimate moment. Also, they shade some parts of the bleachers during the day. The transition between all the rooms is ensured by simple spaces with good visibility of the house so people always have the choice to take a direction knowing where it’s leading them.
Dessins Rhino :
premier dessins sur Rhino (axon, plan, coupe)
Par Travaglini Sabrina, 01/03/20
some drawings of the first idea
sketch of the main idea
"After a long day, she walk throght a small space to arrive in her buble. She leans back against a wood panel and start to read a book. After a few minutes she felt some drops of water on her fingers. Sudently the rain bacame stronger and she quickly sheltered under the wood panel waiting for the storm to end."
different point of view
Intersection between the two oblique planes
role of the protostructure
Not only does the protostructure help support the plans, but it also helps to define the different part of the room.
The Plaster wall
When a person leans back against the wooden panel, the plaster wall protects him against being seen by others. However if a person stands up, he will be able to see around the room. The plaster wall also helps to hold another plane.
drawings in plan and in elevation
top and bottom view vertcal and oblique plane elevation
diagonal plane elevation axonometrie
mockup of each plane
horrizontal sections (hight of a stand up and sit down person) vertical section of the intersection between the diagonal and the oblique planes
perspectives with an exterior observator
After planes, we were given a new ground to work on, literally.
With that in mind, we started searching for new spaces while keeping our main idea from planes
After finding our spaces with a sketch model, we added complexity to it to show the relation of the model with the protostructure and the ground.